It's a stylized way of filming commercial shows right now, which I last saw in Hancock (where in supposedly tight space and "no second take" shots the blurred side image of a forefront figure isn't even removed) and Wall*E (which, in the tradition of the "outtakes" in A Bug's Life, has correctional movements when zooming in or following the subject in motion, simulating the work of a real camera).There's also The Office, of course, and several local as well as foreign independent films.
And in case you're wondering, the camera above is real, and it's 160 megapixels. Check it out here.
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