Just like Entourage, which I'm also watching right now, this film shows how the desperate need for artists to get their ideas done on the screen allow them to succumb to people with loads of money and their own agenda: namely getting a part for their mistresses in the finished movie, even if it means compromising the original concept - such as changing a doomed painter to a photographer for modernness, and enlarging the part of the said regarded females.I wonder if the same is true for the local industry...
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